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Faruk Turgut Stands by Hande Erçel, No Insult to Demet Özdemir
In light of the recent unfortunate incidents in the Turkish Dizi Industry, respected producer of Erkenci Kuş, Faruk Turgut has expressed his solidarity with actress Hande Erçel, who has been subjected to hostility due to her global popularity – No Insult to Demet Özdemir
In the wake of the tragic suicides of Turkish actresses Merve Kayaalp and Seda Fettahoğlu, the dizi industry was left in mourning. Producer Faruk Turgut has taken a stand in support of actress Hande Erçel. His statements shed light on the challenges faced by actors in the industry and the need for a fairer playing field. His recent comments have added fuel to the ongoing discussions surrounding these losses.
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Hande Erçel and Scapegoating Phenomenon in Turkish Dizi Industry
Faruk Turgut addresses a prevalent issue in the industry: the tendency to designate an actor, often Hande Erçel, as a scapegoat when demand for actors diminishes. He further highlighted that Hande Erçel, unlike others, does not enjoy any undue privileges.
The Monopolization Factor:
Faruk Turgut, while expressing his condolences, emphasized that producers should not bear the entire burden of responsibility. He acknowledges that managers also play a significant role in monopolizing opportunities. Faruk Turgut shed light on the presence of management offices that wield influence by tightly associating writers and directors with specific projects, ultimately monopolizing the industry.
Hande Erçel’s Acting Abilities at Question
Faruk Turgut defended Hande Erçel’s acting prowess, pointing out the disparity in opinions between the local Turkish audience and viewers in South America. He questioned why Hande Erçel is singled out as the scapegoat of the Turkish Dizi Industry, emphasizing that talents like Demet Özdemir are equally commendable.
Faruk Turgut debunked the notion that Hande Erçel lacks the same level of influence or financial standing as her peers, emphasizing her crucial role in securing foreign sales for the series.
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Faruk Turgut said:
“I have signed 74 important productions so far. I have paid money to the actor who deserves it. That’s why my conscience is very clear. Melek Baykal is a valuable theater actress, she constantly receives offers. Nebahat Çehre always rejects the offers. Last time, I asked her to play the grandmother’s role in ‘Kızılcık Şerbeti’, but she did not accept. There is jealousy with many other names. When they do not see demand, they declare someone, usually Hande Erçel, as a scapegoat.”
Faruk Turgut, producer of Erkenci Kuş, commented on Hande Erçel’s acting skills:
“Turkey is discussing Hande’s acting, but when an audience in South America is watching her, they don’t say, ‘How limited is her acting?’ They watch it with admiration. I don’t understand why they’re making the girl a scapegoat. Is Demet Özdemir or the others better? It’s like they’re all giving Oscar-worthy performances, but only Hande is bad! Besides, the girl doesn’t have a lot of money like the others. Everyone should accept that Hande Erçel is the name that guarantees the foreign sales of a series. This means the survival of the production.”
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Faruk Turgut’s candid statements provide a glimpse into the complexities of the entertainment industry, urging a reevaluation of how actors are perceived and valued. The need for a more inclusive and equitable environment is underscored, ultimately benefiting both the artists and the industry. Faruk Turgut’s defense of Hande Erçel serves as a rallying cry for positive change in an industry ripe for reform.
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